That’s basically Metro Exodus, Russia are the one getting nuked, so they hide inside metrostation for decades, until the main protag found out the faction he used to work with know about outside world and is jamming the signal so no signal can come in and go out to hide the fact there’s still survivor in Moscow, just to prevent another nuclear strike on them.
That would be the very first one. It wasnt post apocalypse at all. It was just “Australia has a gang problem.”
In my head, most of the world in the Fallout universe is also mostly just normal
The first Mad Max movie is literally just a cop (Max) fighting against a deadly biker gang in a small town. The second movie didn’t say anything about an apocalypse, it was just set in a desert wasteland.
It was the American (maybe international?) version of Mad Max 2 that added a prologue about an apocalyptic world event.
So yeah, in the original Australian version, this may just be some lawless hicks surviving in the Australian desert, while the rest of the world continues on like normal.
I haven’t watched Mad Max one in twenty years, but I’m pretty sure the backdrop is rising international political tensions and the ending suggests a global nuclear war.
Opening monologue to The Road Warrior:
My life fades. The vision dims. All that remains are memories. I remember a time of chaos, ruined dreams, this wasted land. But most of all, I remember the road warrior, the man we called Max. To understand who he was we have to go back to the other time, when the world was powered by the black fuel and the desert sprouted great cities of pipe and steel — gone now, swept away. For reasons long forgotten two mighty warrior tribes went to war and touched off a blaze which engulfed them all. Without fuel they were nothing. They’d built a house of straw. The thundering machines sputtered and stopped. Their leaders talked and talked and talked, but nothing could stem the avalanche. Their world crumbled. Cities exploded — a whirlwind of looting, a firestorm of fear. Men began to feed on men. On the roads it was a white-line nightmare. Only those mobile enough to scavenge, brutal enough to pillage would survive. The gangs took over the highways, ready to wage war for a tank of juice, and in this maelstrom of decay ordinary men were battered and smashed — men like Max, the warrior Max. In the roar of an engine, he lost everything and became a shell of a man, a burnt-out desolate man, a man haunted by the demons of his past, a man who wandered out into the wasteland. And it was here, in this blighted place, that he learned to live again.
Thunderdome is a prime example how Americans ruin everything
They get to New Zealand, and it’s a complete utopia. When they try to ask if their oil didn’t run out, they just answer that they stopped using that stuff decades ago.
and it turns out it was a just a large trailer park community in the Australian desert that had all gone through the deepest hallucinogenic drug effects from Meth and Opioids and somehow survived undetected for 20 years on their own in the wilderness.
I’ve camped at Silverton before—where most Mad Max were shot. There’s a campground a few kilometres out.
It was 53C (127F). Didn’t drop below 40 until 1am. No drugs needed; just go loony in the heat.
The pub out there can get pretty fucking loose also, ahahahha
The american numbers should always be bigger than those hippy numbers.
Mkultrav2
Like the episode of Stargate where Carter and O’Neill gate into an ice world and can’t get back so they think they’re going to die, except they got the signals crossed with a second gate buried in Antarctica and Hammond just sends helicopters to rescue them.
Best blooper reel ever.
“Oh god! I’m stuck on a glacier with McGuyver!”
This is my working assumption for all those teenage dystopias.
Hunger Games? World outside the US is fine. Better, now that the hegemon is more interested in watching it’s own population murder each other for television ratings.
Don’t want me making that assumption about your story? Maybe mention anywhere outside the continental US at least one [1] time. At least Handmaid’s Tale acknowledges Canada. And I guess heaven forbid Mexico ever get a mention.
They run out of sepia filter, so mexico cannot be mentioned.
The Hunger Games owes everything to Stephen King. They basically just took The Long Walk novel and glittered/mashed it up with The Running Man movie. Neither of those took place during or after any apocalypse. They were each just set in either the now, or the very near future, in an America that has gone fully corrupt as a result of being morally, politically, and economically bankrupt. King was (and always has) written very local and topical stories set in what is literally his here and now. When he lived in Maine, he wrote Maine stories. When he moved to Florida, he wrote Duma Key. So, it’s no surprise that a YA story as derivative as The Hunger Games would have the same blind spot for Global events as the inspirational works.
But, also if we were really going to descend into an apocalypse (or a dictatorship), news of the broader globe would be one of the first casualties. People inside most apocalypse (and fascist dystopian) stories don’t usually have a lot of knowledge about the “outside” world. If they do, it’s usually an unreliable narrative.
Wasn’t the epilogue of A Handmaid’s Tale basically the rest of the world saying “wow, what happened in America was super fucked”
Whenever I play either fallout or the mad max game I like imagining the world outside the country the game focuses on to be going on business as usual, ignoring the anarchist apocalypse across the pond, which for some reason brings me great joy :3
Unfortunately, we kind of know what happened to some of the other countries in Fallout. Kind of.
Kind of like Russia compared to Europe. Like just nonsensically kicking themselves in the nuts over there for no reason and being belligerent for no upside.
I’ve been hearing this joke since Thunderdome.
