FLAC is a meme for 90% of use cases out there. The difference in sound quality between a .flac and 320 .mp3 is imperceptible to the majority of people and needs thousands of dollars of listening equipment to become apparent. The file size is drastically different, though. Not to mention the fact that almost all music is recorded in .wav files nowadays, and the “lossless” versions are usually just synthetically upscaled for the audiophile crowd.
Not to say that I don’t prefer to download FLAC when possible, but I also don’t avoid non-lossless albums either.
Um, .wav is a lossless format. It’s just raw PCM with no compression. An upscaled FLAC from a lossy source is not lossless, even though it’s stored in a lossless compatible format (FLAC). A properly encoded and compressed MP3 file will sound very close to the lossless source, but when procuring those lossy files from third parties, you rely on whoever compressed them doing it properly. I prefer to store my music repository in a lossless format, and stream/sync in lossy.
But like, why? I’m going to be listening to the lossy version on my phone 90% of the time anyways, and my headphones are not good enough to truly appreciate lossless either. It doesn’t matter that I have over 4tb of storage on my PC, I still don’t wanna waste an extra 50GB for no tangible benefit, when I could use the same extra 50GB to more than double my lossy music collection if I wanted.
This is my take as well. Storage is cheap. I have thousands of albums and about 40,000 tracks currently and it consumes about 400GB. It’s really not that much storage, considering.
So you don’t listen to music unless you’re at home? Or do you choose a subset of your library to put on your phone? That would be terribly annoying for me.
In my case, a self hosted streaming server works wonders. Plex with Pleaxamp, Jellyfin, Navidrome, Airsonic, any of them will stream to your phone while out and about.
I live in the rural midwest with spotty cell service. All of those services support manual offline syncing to store music on your phone. I set Plexamp to stream lossy over cellular, and it doesn’t take long to cache an entire playlist when I do have a signal.
It’s easy bro just maintain a server with redundant disks and a reverse proxy so you can stream music over your unlimited cellular data connection that I’m totally sure you have access to in your region.
In my case I use FLAC because when Plex transcodes, FLAC > Opus sounds better than MP3 > Opus. Almost all my media was ripped by me direct from CD, with some coming from Bandcamp.
FLAC Not to mention the fact that almost all music is recorded in .wav files nowadays, and the “lossless” versions are usually just synthetically upscaled for the audiophile crowd.
Yeah, this isn’t how that works.
“Lossless” refers to a mathematical property of the type of compression. If the data can be decompressed to exactly the same bits that went into the compressor then it’s lossless.
You can’t “synthetically upscale” to lossless. You can make a fake lossless file (lossy data converted into a lossless file format) but that serves zero purpose and is more of an issue with shady pirate uploaders.
Lossless means it sounds exactly like the CD copy, should it exist. That’s really all. And you want lossless for any situation where you’ll be converting again before playback. Like, for example, Bluetooth transmission.
Lossless means it sounds exactly like the CD copy, should it exist
You’re bang on with everything but this, if you’re getting FLACs from the source, you may be getting higher quality than CD which is 16-bit 44.1khz. I’ve got many 24-bit 96khz FLACs in my collection
Your last point about Bluetooth is such a great one though. Recompression of already compressed audio is a much worse end result than compressing uncompressed audio one time (and before anyone says it, basically no one is listening to lossless Bluetooth audio)
Fair point with the higher bit depths and sampling rates, I just figured there was no point in overcomplicating it when it seemed there was already some form of misunderstanding.
Not to mention the fact that almost all music is recorded in .wav files nowadays, and the “lossless” versions are usually just synthetically upscaled for the audiophile crowd
WAV and FLAC are both lossless, the reason people use FLAC is because WAV doesn’t (or didn’t) have good support for tags and FLAC has lossless file compression while WAV usually is uncompressed. There isn’t any sort of “upscaling” that is done.
Personally, I think a quality v0 or 320kb/s MP3 is perfectly fine for listening but I’m always going to prefer storing lossless audio so I can convert the files to whatever format I want/need. I’ve moved around between MP3, AAC, and Opus for different devices and if I didn’t have the FLAC files I would either have to redownload files or do lossy to lossy transcodes
The difference in sound quality between a .flac and 320 .mp3 is imperceptible to the majority of people and needs thousands of dollars of listening equipment to become apparent.
I would disagree with this. It isn’t really a matter of equipment cost. It may be a matter of not having ever heard a direct comparison between versions of the same track, though.
What I’ve noticed is that you really need e.g. wired headphones to be able to hear this difference. The compression artifacts of MP3 are quite distinct, but since Bluetooth tends to compress audio as well, this eliminates a lot of the difference between lossy and lossless sources.
I can hear the difference clearly with cheap (≈$50) wired headphones on my android phone (which is nothing special and a few years old). It is particularly noticeable with high frequency sounds, like hi-hats, which tend to sound muddy with a kind of digital sizzle.
Sometimes it’s more about knowing you have the highest quality format than being able to hear the difference. An mp3 of a great sounding album with good dynamic range will always sound better than a FLAC of a shitty recording.
I think most people can train themselves to hear mp3 compression even on low quality gear by listening to comparisons of cymbal sounds. An experiment to prove this is to import a lossless track in to a DAW, export it to mp3, import the mp3 and invert the waveform, so playing back you will only hear the differences between the two tracks, ie only the sounds that the compression failed to accurately replicate, the compression artifacts. What you will be hearing with an mp3-320 is a sort of muddy static sound whenever the cymbals hit, blended with whatever other vocals or instruments overlapped with that frequency. This doesn’t mean that when you only hear the mp3 it will automatically sound bad or noticeably worse, but it proves there is an audible difference in the character of certain sounds that can be heard even on bad gear.
Hearing the difference now isn’t the reason to encode to FLAC. FLAC uses lossless compression, while MP3 is ‘lossy’. What this means is that for each year the MP3 sits on your hard drive, it will lose roughly 12kbps, assuming you have SATA - it’s about 15kbps on IDE, but only 7kbps on SCSI, due to rotational velocidensity. You don’t want to know how much worse it is on CD-ROM or other optical media.
I started collecting MP3s in about 2001, and if I try to play any of the tracks I downloaded back then, even the stuff I grabbed at 320kbps, they just sound like crap. The bass is terrible, the midrange…well don’t get me started. Some of those albums have degraded down to 32 or even 16kbps. FLAC rips from the same period still sound great, even if they weren’t stored correctly, in a cool, dry place. Seriously, stick to FLAC, you may not be able to hear the difference now, but in a year or two, you’ll be glad you did.
I really hope this is satire. If not, you’re way off the mark. Lossy files do not intrinsically suffer any kind of bit rot. Bits are bits, and your storage interface doesn’t have any clue what those bits mean. I have MP3s from the late 90s that have been stored on the cheapest CD-Rs you can imagine, that still play perfect.
That’s 100% placebo. I’m a professional recording and mixing engineer and have done ABX tests in rooms with speakers that cost as much as a new car and struggled. Not to mention the tens of thousands of dollars in acoustic treatment in those rooms. 320kbps is guaranteed to be indistinguishable from lossless on $100 speakers in what’s likely a horrible sounding room.
Thx, this was an easy way to test this out! Pretty much confirmed what I already thought I knew. The nice booming base in Dark Horse threw me off :-) but I managed to get 5/6 correct. Listened with UMC404HD powering my ATH-M50x, which makes its literally HUNDREDS of dollars of equipment. When I power those headphones off my phone via apple DAC, I don’t think it would be audible. How did you do on this test?
All’s I know is I’ve been slowly replacing my 320 mp3 catalog with flac and certain albums are night and day difference. Usually ones with a lot going on. Try comparing wintersun - time in mp3 vs flac. The instrument separation is way better
There could be a metric fuckton of reasons why the file on your computer and the file you downloaded from a store sound different, but the codec most definitely is not one of them, assuming they are good first gen lossy encodes.
This dude is scared that he’ll find that he can’t tell the different between high and low bitrate and completely invalidate his reason for storing FLACs.
Orpheus for torrents, Usenet gets like 90% of the stuff out there though. And don’t forget to sort your favorites bands but buying their albums when they provide them as FLAC.
Nah, I won’t pay for music, unless it’s a signed record, because the bands get pretty much no money from the sale, so it’s more of a fuck you to the labels. But I will travel to go to concerts and buy merch to support them.
I guess I should get around to figuring out how to use usenet, though.
This was more true when the labels were running everything. Now you can get a lot of the material more-or-less directly from the artists on various platforms. Instead of artists getting 5% of the $$$, they can get 70%+.
Just saying that not everything you listen to is necessarily by a band signed to a label. A lot of newer talents have gotten wise to the scam the labels have been running (for the same reasons you articulated - who would knowingly sign up for that?) and are putting things out themselves instead.
Ah, that makes sense, but I only listen to the same artists I have been for 20 years (or artists that I’ve discovered that have been active for that long), so not much has changed with the labels for me specifically.
Usenet is way better than torrenting. I had heard about it for years and finally checked it out a month ago. I bought a few lifetime memberships to trackers (but just nzbgeek might be enough) and subscribed to news hosting. The reliability and speeds are so much better. Plus the traffic is encrypted and it’s much less common than torrenting so also safer
I made a XSPF format list of lossy versions, imported into qobuz and deezer using soundiiz, and downloaded from there using qobuz-dl and deemix, fwiw. Got about 1.2 TB this way
Soulseek is a great P2P file sharing service with terabytes (petabytes?) of .flac music spread across tens of thousands of users. You may run into the random asshole who won’t share unless you check off ten items from their “wishlist” but generally it’s all open for grabs.
I use FLAC for albums I love and mp3s for everything else (including copies of the flacs in mp3). It’s a nice balance.
Fucking love my collection of music. I use Spotify as well, but nothing can compete with literally owning a music collection of my own I can listen to without the Internet
I did and failed. I don’t want to waste that many hours of my life trying again. So they lose out on an amazing seeder and I lose out on good access to music.
Despite vinyl’s technical inferiority, it was those same limitations that meant vinyl actually sounded better than CD throughout a specific period. Vinyl cannot be too loud or the needle will jump off the track, making the vinyl unplayable. This prevented vinyl from dealing with the loudness wars, and brick wall dynamic range compression. So especially for the early 2000s, the masters used for the vinyl mix were often significantly better.
And, a clean record played on clean and properly set up equipment can sound really pristine, especially if copied to a digital format early in its life. You wouldn’t even be able to tell it’s vinyl.
+1 to all you said. I collect vinyl for a number of reasons and none of them are because it is technically superior (it isn’t) however, many (most?) people have never heard just how good vinyl can actually sound when it’s in good condition and played on a good setup. I personally cannot tell the difference between even a 33 and CD, let alone a 45, and I have a decently high end setup.
My ears like to trick me and tell me I can hear a difference between a 33 and 45 but I’m pretty sure this is a lie.
Not to mention, psychoacoustics don’t really give a damn about fidelity, so if your goal is “I want it to sound good to me” moreso than “I want it to reproduce sounds accurately” then there’s arguments for vinyl, tube amplifiers, vintage speakers, etc.
Hell I have a friend who specifically uses one of the earliest CD players because it had a 14 bit DAC and no oversampling vs 16 bit DAC, and for those few albums he really likes the digital distortion that comes with it because that’s how he first heard it.
Compared to CD? If you have to compare it to a lossy compressed format to make it look good in comparison, then maybe it’s not that good overall. You may have noticed it’s no longer the early 2000s and CDs are not ubiquitous, nor even very common at all anymore.
Lossy compressed format? Where? Are you talking about CD? The format famous for using uncompressed PCM audio perfectly specified to cover 100% of a human’s hearing range?
Because if that’s what you mean, you’ve got some studying to go do.
Are you using an off the shelf NAS or a DIY? I’m looking for around that much space but the consumer/prosumer grade stuff I’ve seen doesn’t really do what I want (full disk encryption, Linux, ability to customize and host a few applications).
I originally figured I’d just cram 5x12TB drives in a case, RAID5, with my Linux flavor of choice… Then I learned how bad RAID5 is with big disks.
I don’t need mirroring or high throughput (home NAS - other device backups and local streaming) but would preferably like a little redundancy… As a treat.
I’m using a Synology, and I love it. I have most of my self hosted servers running on it in docker containers, and I can use the Surveillance Station to locally store and view my camera setup.
I’ll probably buy actual server hardware at some point, but I need to do my network build out first.
What do you think of the Asustor flashtor NAS drives which have 6-12 m2 slots…I think you can run any OS on it if their own software doesn’t check all the boxes for you
Listen up, all you young whippersnappers and your FLAC collections, we downloaded our lossy but ‘high enough quality’ 128kbps mp3s from those IRC DCC Fserves back in the 90s using our dialup internet and we didnt complain!
Unless of course someone picked up the house phone and caused our internet to disconnect.
Go FLAC or go home.
FLAC is a meme for 90% of use cases out there. The difference in sound quality between a .flac and 320 .mp3 is imperceptible to the majority of people and needs thousands of dollars of listening equipment to become apparent. The file size is drastically different, though. Not to mention the fact that almost all music is recorded in .wav files nowadays, and the “lossless” versions are usually just synthetically upscaled for the audiophile crowd.
Not to say that I don’t prefer to download FLAC when possible, but I also don’t avoid non-lossless albums either.
Um, .wav is a lossless format. It’s just raw PCM with no compression. An upscaled FLAC from a lossy source is not lossless, even though it’s stored in a lossless compatible format (FLAC). A properly encoded and compressed MP3 file will sound very close to the lossless source, but when procuring those lossy files from third parties, you rely on whoever compressed them doing it properly. I prefer to store my music repository in a lossless format, and stream/sync in lossy.
deleted by creator
file size absolutely matters when you have thousands of songs lol, my music is a significant chunk of my phone’s SD card capacity
deleted by creator
Now that’s dedication.
But like, why? I’m going to be listening to the lossy version on my phone 90% of the time anyways, and my headphones are not good enough to truly appreciate lossless either. It doesn’t matter that I have over 4tb of storage on my PC, I still don’t wanna waste an extra 50GB for no tangible benefit, when I could use the same extra 50GB to more than double my lossy music collection if I wanted.
deleted by creator
In which case we circle back around to “storage is cheap”. Music is the only substantial space hog on my phone.
deleted by creator
You should upgrade from your Razor to a phone made in the last decade, they have a lot more space now.
https://www.youtube.com/watch?v=hpQQohcHk9Q
This is my take as well. Storage is cheap. I have thousands of albums and about 40,000 tracks currently and it consumes about 400GB. It’s really not that much storage, considering.
40… 40,000…? My god I thought I had a lot of music downloaded, but I haven’t even broken into the thousands yet
So you don’t listen to music unless you’re at home? Or do you choose a subset of your library to put on your phone? That would be terribly annoying for me.
In my case, a self hosted streaming server works wonders. Plex with Pleaxamp, Jellyfin, Navidrome, Airsonic, any of them will stream to your phone while out and about.
That will work great if you live your entire life in cities.
I spend a lot of time in places with no cell service.
I live in the rural midwest with spotty cell service. All of those services support manual offline syncing to store music on your phone. I set Plexamp to stream lossy over cellular, and it doesn’t take long to cache an entire playlist when I do have a signal.
So then you’re back to the problem where you require more storage than what your phone has.
Yes, I listen to music and podcasts everywhere. I use airsonic-advanced, currently.
Plex or other local system streaming service, you know, using the tech that’s existed for over a decade now?
No need to store jack shit on my device unless I know I’m going to a low reception area m
It’s easy bro just maintain a server with redundant disks and a reverse proxy so you can stream music over your unlimited cellular data connection that I’m totally sure you have access to in your region.
Bro I’m poor. I make the compromises I have to make.
It starts adding up when your collection is in many thousands of albums.
I get what you are saying though
In my case I use FLAC because when Plex transcodes, FLAC > Opus sounds better than MP3 > Opus. Almost all my media was ripped by me direct from CD, with some coming from Bandcamp.
See the problem there is that Plex is transcoding instead of just supporting popular audio formats directly.
Plex does support FLAC. It’s transcoding to reduce data usage. You always have the option of playing the original, I’m doing it right now.
Yeah, this isn’t how that works.
“Lossless” refers to a mathematical property of the type of compression. If the data can be decompressed to exactly the same bits that went into the compressor then it’s lossless.
You can’t “synthetically upscale” to lossless. You can make a fake lossless file (lossy data converted into a lossless file format) but that serves zero purpose and is more of an issue with shady pirate uploaders.
Lossless means it sounds exactly like the CD copy, should it exist. That’s really all. And you want lossless for any situation where you’ll be converting again before playback. Like, for example, Bluetooth transmission.
You’re bang on with everything but this, if you’re getting FLACs from the source, you may be getting higher quality than CD which is 16-bit 44.1khz. I’ve got many 24-bit 96khz FLACs in my collection
Your last point about Bluetooth is such a great one though. Recompression of already compressed audio is a much worse end result than compressing uncompressed audio one time (and before anyone says it, basically no one is listening to lossless Bluetooth audio)
Fair point with the higher bit depths and sampling rates, I just figured there was no point in overcomplicating it when it seemed there was already some form of misunderstanding.
WAV and FLAC are both lossless, the reason people use FLAC is because WAV doesn’t (or didn’t) have good support for tags and FLAC has lossless file compression while WAV usually is uncompressed. There isn’t any sort of “upscaling” that is done.
Personally, I think a quality v0 or 320kb/s MP3 is perfectly fine for listening but I’m always going to prefer storing lossless audio so I can convert the files to whatever format I want/need. I’ve moved around between MP3, AAC, and Opus for different devices and if I didn’t have the FLAC files I would either have to redownload files or do lossy to lossy transcodes
I would disagree with this. It isn’t really a matter of equipment cost. It may be a matter of not having ever heard a direct comparison between versions of the same track, though.
What I’ve noticed is that you really need e.g. wired headphones to be able to hear this difference. The compression artifacts of MP3 are quite distinct, but since Bluetooth tends to compress audio as well, this eliminates a lot of the difference between lossy and lossless sources.
I can hear the difference clearly with cheap (≈$50) wired headphones on my android phone (which is nothing special and a few years old). It is particularly noticeable with high frequency sounds, like hi-hats, which tend to sound muddy with a kind of digital sizzle.
Jokes on you, I have thousands of dollars in listening equipment
As in, a phone?
THOUSANDS!
I totally agree, I was just perpetuating the meme
The .wav part of your comment makes no sense, that is a lossless format, and it is used everywhere because it is dead simple to impliment
Sometimes it’s more about knowing you have the highest quality format than being able to hear the difference. An mp3 of a great sounding album with good dynamic range will always sound better than a FLAC of a shitty recording.
I think most people can train themselves to hear mp3 compression even on low quality gear by listening to comparisons of cymbal sounds. An experiment to prove this is to import a lossless track in to a DAW, export it to mp3, import the mp3 and invert the waveform, so playing back you will only hear the differences between the two tracks, ie only the sounds that the compression failed to accurately replicate, the compression artifacts. What you will be hearing with an mp3-320 is a sort of muddy static sound whenever the cymbals hit, blended with whatever other vocals or instruments overlapped with that frequency. This doesn’t mean that when you only hear the mp3 it will automatically sound bad or noticeably worse, but it proves there is an audible difference in the character of certain sounds that can be heard even on bad gear.
Hearing the difference now isn’t the reason to encode to FLAC. FLAC uses lossless compression, while MP3 is ‘lossy’. What this means is that for each year the MP3 sits on your hard drive, it will lose roughly 12kbps, assuming you have SATA - it’s about 15kbps on IDE, but only 7kbps on SCSI, due to rotational velocidensity. You don’t want to know how much worse it is on CD-ROM or other optical media.
I started collecting MP3s in about 2001, and if I try to play any of the tracks I downloaded back then, even the stuff I grabbed at 320kbps, they just sound like crap. The bass is terrible, the midrange…well don’t get me started. Some of those albums have degraded down to 32 or even 16kbps. FLAC rips from the same period still sound great, even if they weren’t stored correctly, in a cool, dry place. Seriously, stick to FLAC, you may not be able to hear the difference now, but in a year or two, you’ll be glad you did.
Just to be certain: are you really suggesting that mp3 files, if left unmodified, will degrade in sound quality over time?
I think it’s pasta
Oh thank god haha. I’ve never been so relieved to have been baited.
It’s veru tastu pasta.
I really hope this is satire. If not, you’re way off the mark. Lossy files do not intrinsically suffer any kind of bit rot. Bits are bits, and your storage interface doesn’t have any clue what those bits mean. I have MP3s from the late 90s that have been stored on the cheapest CD-Rs you can imagine, that still play perfect.
I’m a programmer, I know this. It’s a cooypasta you dork.
Just about all music is rendered to uncompressed .wav
Anything else is just some inferior transcoding /s
But also not /s because it’s accurate, just dumb.
Nah this is bullshit. Even on my $100 edifer speakers you can easily tell the difference.
Type of music matters though. For metal flac is totally worth it. With ambient music you aren’t going to hear a difference obviously.
That’s 100% placebo. I’m a professional recording and mixing engineer and have done ABX tests in rooms with speakers that cost as much as a new car and struggled. Not to mention the tens of thousands of dollars in acoustic treatment in those rooms. 320kbps is guaranteed to be indistinguishable from lossless on $100 speakers in what’s likely a horrible sounding room.
Really so you can ace this test no problemo?
Thx, this was an easy way to test this out! Pretty much confirmed what I already thought I knew. The nice booming base in Dark Horse threw me off :-) but I managed to get 5/6 correct. Listened with UMC404HD powering my ATH-M50x, which makes its literally HUNDREDS of dollars of equipment. When I power those headphones off my phone via apple DAC, I don’t think it would be audible. How did you do on this test?
Maybe. I’ll give it a shot later…
All’s I know is I’ve been slowly replacing my 320 mp3 catalog with flac and certain albums are night and day difference. Usually ones with a lot going on. Try comparing wintersun - time in mp3 vs flac. The instrument separation is way better
There could be a metric fuckton of reasons why the file on your computer and the file you downloaded from a store sound different, but the codec most definitely is not one of them, assuming they are good first gen lossy encodes.
This dude is scared that he’ll find that he can’t tell the different between high and low bitrate and completely invalidate his reason for storing FLACs.
I fucking love my 100gb flac collection
Do you know a reliable tracker? I have lidarr set up to find lossless versions, but it’s pretty terrible at it.
Im using Soulseek
Orpheus for torrents, Usenet gets like 90% of the stuff out there though. And don’t forget to sort your favorites bands but buying their albums when they provide them as FLAC.
Nah, I won’t pay for music, unless it’s a signed record, because the bands get pretty much no money from the sale, so it’s more of a fuck you to the labels. But I will travel to go to concerts and buy merch to support them.
I guess I should get around to figuring out how to use usenet, though.
I’m pretty sure they are getting money at their merch tables, but I could be wrong.
This was more true when the labels were running everything. Now you can get a lot of the material more-or-less directly from the artists on various platforms. Instead of artists getting 5% of the $$$, they can get 70%+.
Just saying that not everything you listen to is necessarily by a band signed to a label. A lot of newer talents have gotten wise to the scam the labels have been running (for the same reasons you articulated - who would knowingly sign up for that?) and are putting things out themselves instead.
Ah, that makes sense, but I only listen to the same artists I have been for 20 years (or artists that I’ve discovered that have been active for that long), so not much has changed with the labels for me specifically.
Usenet is way better than torrenting. I had heard about it for years and finally checked it out a month ago. I bought a few lifetime memberships to trackers (but just nzbgeek might be enough) and subscribed to news hosting. The reliability and speeds are so much better. Plus the traffic is encrypted and it’s much less common than torrenting so also safer
Can you recomend me some trackers? I’ve been considering usenet for a few months now but never pulled the trigger
I’m using nzbgeek, nzbplanet, and miatrix
I’ll check these out, thanks!
I made a XSPF format list of lossy versions, imported into qobuz and deezer using soundiiz, and downloaded from there using qobuz-dl and deemix, fwiw. Got about 1.2 TB this way
Look for the Redtopia torrent. About 6tb of flac albums and another half terabyte of .mp3s
Where does one begin to find flac? I am taking the first steps beyond “finding a movie to play for free”
hdtracks.com and Bandcamp are some sources.
Soulseek is a great P2P file sharing service with terabytes (petabytes?) of .flac music spread across tens of thousands of users. You may run into the random asshole who won’t share unless you check off ten items from their “wishlist” but generally it’s all open for grabs.
Tidal + Tidal-dl or Soulseek
I use FLAC for albums I love and mp3s for everything else (including copies of the flacs in mp3). It’s a nice balance.
Fucking love my collection of music. I use Spotify as well, but nothing can compete with literally owning a music collection of my own I can listen to without the Internet
This is the way. Also, FLAC for high bit rate audiophile vinyl rips.
I literally got goosebumps reading that. Take my Iron Maiden collection for example:
I have mp3 versions of all albums. Different release versions of FLACs and then a vinyl FLAC collection as well.
It’s nice exploring the difference in sound, but somehow, vinyl always makes me feel the best.
Man I miss what.cd.
I miss Oink’s :(
That too :(
Interview for redacted.
I did and failed. I don’t want to waste that many hours of my life trying again. So they lose out on an amazing seeder and I lose out on good access to music.
Gotta use that lossless format so you can pick up all the sound artefacts caused by an imperfect physical format.
Despite vinyl’s technical inferiority, it was those same limitations that meant vinyl actually sounded better than CD throughout a specific period. Vinyl cannot be too loud or the needle will jump off the track, making the vinyl unplayable. This prevented vinyl from dealing with the loudness wars, and brick wall dynamic range compression. So especially for the early 2000s, the masters used for the vinyl mix were often significantly better.
And, a clean record played on clean and properly set up equipment can sound really pristine, especially if copied to a digital format early in its life. You wouldn’t even be able to tell it’s vinyl.
+1 to all you said. I collect vinyl for a number of reasons and none of them are because it is technically superior (it isn’t) however, many (most?) people have never heard just how good vinyl can actually sound when it’s in good condition and played on a good setup. I personally cannot tell the difference between even a 33 and CD, let alone a 45, and I have a decently high end setup.
My ears like to trick me and tell me I can hear a difference between a 33 and 45 but I’m pretty sure this is a lie.
Not to mention, psychoacoustics don’t really give a damn about fidelity, so if your goal is “I want it to sound good to me” moreso than “I want it to reproduce sounds accurately” then there’s arguments for vinyl, tube amplifiers, vintage speakers, etc.
Hell I have a friend who specifically uses one of the earliest CD players because it had a 14 bit DAC and no oversampling vs 16 bit DAC, and for those few albums he really likes the digital distortion that comes with it because that’s how he first heard it.
Compared to CD? If you have to compare it to a lossy compressed format to make it look good in comparison, then maybe it’s not that good overall. You may have noticed it’s no longer the early 2000s and CDs are not ubiquitous, nor even very common at all anymore.
Lossy compressed format? Where? Are you talking about CD? The format famous for using uncompressed PCM audio perfectly specified to cover 100% of a human’s hearing range?
Because if that’s what you mean, you’ve got some studying to go do.
BUY ME BIGGER STORAGE BROTHER
looks at his 42TB NAS
That’s a lot of hip-hop 😂
Are you using an off the shelf NAS or a DIY? I’m looking for around that much space but the consumer/prosumer grade stuff I’ve seen doesn’t really do what I want (full disk encryption, Linux, ability to customize and host a few applications).
I originally figured I’d just cram 5x12TB drives in a case, RAID5, with my Linux flavor of choice… Then I learned how bad RAID5 is with big disks.
I don’t need mirroring or high throughput (home NAS - other device backups and local streaming) but would preferably like a little redundancy… As a treat.
Got any pointers?
Truenas or unraid
I’m using a Synology, and I love it. I have most of my self hosted servers running on it in docker containers, and I can use the Surveillance Station to locally store and view my camera setup.
I’ll probably buy actual server hardware at some point, but I need to do my network build out first.
What do you think of the Asustor flashtor NAS drives which have 6-12 m2 slots…I think you can run any OS on it if their own software doesn’t check all the boxes for you
https://www.jeffgeerling.com/blog/2023/how-i-installed-truenas-on-my-new-asustor-nas
Listen up, all you young whippersnappers and your FLAC collections, we downloaded our lossy but ‘high enough quality’ 128kbps mp3s from those IRC DCC Fserves back in the 90s using our dialup internet and we didnt complain!
Unless of course someone picked up the house phone and caused our internet to disconnect.
Don’t forget Limewire and Kazaa
I’m still shuffling some of those.
It’s all about the 64kbps .wma’s. I could fit so many songs on my 128mb mp3 player back in the day