They do actually! For a 4/4 beat (4 beats per measure and the quarter note gets the beat, meaning 4 quarter notes per measure), they will move the baton straight down for 1 (the “down beat”), left (usually) for 2, right for 3, and up for 4. Different time signatures will have more or less movements, such as 3/4 time (3 beats per measure) will be down (1), left (2), and up (3).
Further, there are other movements like a wide slash left to right is a stop motion for everyone to instantly stop playing.
Yeah you pick it up fairly quickly if you play any conducted music. Especially because a lot of the gestures make a lot of sense. The beats are a pattern with beats to them and the common signatures you get a feel for. But like it doesn’t take a genius to figure out that if the conductor is doing a rising motion at your section you should be playing louder and if it’s increasingly frantic you should be increasingly loud until the hands either come together in a beat (loud finishing note) or they’re separated in a way that will either signal to hold or to fade, or they’ll just start doing a lowering motion to tell you to start piping down. It’s all meant to be very intuitive
how does it work? do specific baton flicks mean specific things? is he just shaking it around to the beat?
Yup, there’s a specific pattern for each time signature, and if you get really lost you can tell where in the measure you should be by them.
The patterns for cursed time signatures are equally cursed.
They do actually! For a 4/4 beat (4 beats per measure and the quarter note gets the beat, meaning 4 quarter notes per measure), they will move the baton straight down for 1 (the “down beat”), left (usually) for 2, right for 3, and up for 4. Different time signatures will have more or less movements, such as 3/4 time (3 beats per measure) will be down (1), left (2), and up (3).
Further, there are other movements like a wide slash left to right is a stop motion for everyone to instantly stop playing.
Yeah you pick it up fairly quickly if you play any conducted music. Especially because a lot of the gestures make a lot of sense. The beats are a pattern with beats to them and the common signatures you get a feel for. But like it doesn’t take a genius to figure out that if the conductor is doing a rising motion at your section you should be playing louder and if it’s increasingly frantic you should be increasingly loud until the hands either come together in a beat (loud finishing note) or they’re separated in a way that will either signal to hold or to fade, or they’ll just start doing a lowering motion to tell you to start piping down. It’s all meant to be very intuitive