I watched a couple this past month for spooky season, and I think the 80s is probably my favorite decade for horror.

A couple weeks ago I watchedThe Fly, which was just an incredible film. The practical effects still largely hold up, but the acting is what really carried the story. The only thing that kind of bugged (🪰) me about it was that

spoiler

her creepo boss became a hero at the end.

I also just saw Hellraiser, which I’d always been curious about since I saw the VHS cover as a kid: the guy with the nails in his face looked terrifying! This is another one where the practical effects hold up, but is really held together by the characters and their relationships. I liked when

spoiler

Kirsty was banishing the cenobites at the end, and her boyfriend tried to take the box from her to finish it, but she slapped his hand away to do it herself. It was a really small moment, but told you a lot about her as a character.

My favorite 80s horror though is The Thing. I swear I’m not that into body horror, it’s just that all the best 80s horror movies were pushing the boundaries, and that’s where the line was for a lot of people. Again, this one has amazing practical effects, but the actors and writing carried the movie.

So, what’s your favorite 80s horror?

  • Spacehooks@reddthat.com
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    9 hours ago

    I used the the thing every winter. The best part wasn’t the monster itself but the psychological pain of not knowing if you can trust your team. Monsters are less of threat with human unity but when isolated humans vulnerable. I wish more movies explored aspect more.

  • yardratianSoma@lemmy.ca
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    17 hours ago

    I haven’t seen too much 80’s horror, but so far, my top 3 80’s horror films would be

    1. The Thing (1982)
    2. Angst (1983)
    3. The Vanishing (1988)

    My favourite decade for horror is actually the 70s, for being far more absurdist and sinister. (I could be really off base, since I still haven’t seen many classics)

  • TheOneAndOnly@lemmy.world
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    16 hours ago

    The Gate! I can’t believe no one’s mentioned it. Super cheesy at times, but some really great, creepy moments. Just watched it the other night for the first time in years, and, while definitely not a cinematic masterwork, still a great watch.

  • PiraHxCx@lemmy.ml
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    1 day ago

    The Shining is just so beautiful, but in this more psychological, spiraling into madness, I really love Possession and Videodrome. Serial-killer horror I like Manhunter, the introduction of Hannibal Lecter to cinema (Red Dragon is a remake of this movie).
    Street Trash, Class of Nuke 'em High, Return of the Living Dead are some of my favorite thrashy campy movies. Street Trash is quite disturbing though

    • Zombiepirate@lemmy.worldOP
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      1 day ago

      I forget that The Shining was an 80s movie, it feels very 70s in it’s execution. What a picture though.

      The only other I’ve seen on your list was Return of the Living Dead. I loved Romero’s Night of the Living Dead, and this one wasn’t at all what I was expecting. Still a fun campy horror movie though.

      I’ll look into the rest, thanks for the recs.

  • raoulraoul@lemmy.world
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    1 day ago

    Yeah, Carpenter’s The Thing. Great movie.

    How about Raimi’s The Evil Dead? We were screaming like little girls during that one!

    Or Basket Case?

    • niktemadur@lemmy.world
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      1 day ago

      Evil Dead Pt 2 is the best remake ever.
      The same director, making the same film twice, but with a (moderately) higher budget, a lot of creative problem-solving, a defiant “We can do this” attitude, and Bruce Campbell reaching Buster Keaton-levels of physical comedy genius.
      Incredible, all the way, through and through.

      • leave_it_blank@lemmy.world
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        13 hours ago

        And don’t forget the camera work, it’s weird, creative and simply fantastic! So many strange angles and motion…

        This movie is a great example of what people, used to a minimum budget, can do if you throw money at them.

        • niktemadur@lemmy.world
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          2 hours ago

          don’t forget the camera work

          One element that fits under “creative problem-solving”.

          That long subjective camera rush towards Ash (Campbell), the one that continued the cliffhanger end of Evil Dead 1, then lifting Ash and spinning him at high speed… I can deconstruct more or less how they did it - at regular or slow speed, Campbell strapped to a board and on an axes, etc. - but I still can’t wrap my head around the insanely good final result. It’s like… one of the best examples in cinema of something being more than the sum of its’ parts.

          That’s like A Bout De Soufflé caliber gourmet shit, Jimmy!

      • raoulraoul@lemmy.world
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        10 hours ago

        Bartel’s Eating Raoul could be considered a horror film as much as (either) Little Shop of Horrors. I don’t know. Both are more black comedies more than straight-out horror, like, say, Cohen’s It’s Alive or Deodato’s Cannibal Holocaust.Depends on your level of pedantry. 🤓🤣

        In any case, thanks for reminding me of that one—how could I forget it? A great film which I haven’t seen in far too long! 🤝

    • Zombiepirate@lemmy.worldOP
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      1 day ago

      Don’t tell anybody, but I never saw Evil Dead, only Army of Darkness. I should really fix that! I love Raimi’s style. He’s definitely a b-movie director who knew how to get the most out of his budget.

      I’ve never heard of Basket Case, but, like I mentioned, I love b-movies. I’ll check it out!

      • 1984@lemmy.today
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        12 hours ago

        It was a mix of action and horror i think. With a very strong female lead that was intelligent and had actual wisdom. Not like todays shitty movies.

        • CaptainBlinky@lemmy.myserv.one
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          6 hours ago

          I hate that idea that “movies used to be good and now they suck” mentality. Because it always ends up with conversation like, “well yeah that one was good and so was that, but othewise…” Like right off the bat I just thought of Everything Everywhere All At Once which was amazing and also pretty new. There have been fantastic movies in every decade, and to say otherwise just feels curmudginy. and no, I have no idea how to spell that.

          • 1984@lemmy.today
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            5 hours ago

            You are free to hate it, but its how some people actually feel. I havent found a single good movie this entire year. I used to be a huge movie fan actually. But now, I feel its all super boring.

            Also really didnt like the Everything Everywhere All At Once. Nice special effects though but such a sleeping pill.

      • shalafi@lemmy.world
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        1 day ago

        Yes and no. It was pretty fucking scary in it’s time. We’d all seen Alien and the destruction one caused, now we’re presented with shitloads of them.

        • CaptainBlinky@lemmy.myserv.one
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          6 hours ago

          Scary, yes. Horror? Not so much. Alien was absolutely a horror film and my mom told me I wasn’t allowed to see it when I was a kid. She also told me I wasn’t allowed to watch Friday the 13th, which was a lost cause, as I was literally born on Friday the 13th. I’m scarred but those scars definitely did NOT come from watching awesome 80’s horror flicks.

        • Spacehooks@reddthat.com
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          10 hours ago

          From how i remember it, it stop being scary when Ripley internally said “you don’t take this one!” Then became the equivalent to a sister of battle with a flamer and auto cannon. What a great character.

  • kandykarter@lemmy.ca
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    1 day ago

    Anything Cronenberg did in that era… Scanners, Videodrome, The Fly, (though my personal faves are his 90s/00s output). Anything Argento did in the 80s (Inferno, Phenomena, Opera), etc. Speaking of Italians, my boy Lucio Fulci made some great ones in that decade too, notably The Beyond, The House By The Cemetery, and The Black Cat. Carpenter’s 80s stuff should go without saying (The Fog, Prince of Darkness, They Live, The Thing). Craven’s Nightmare on Elm Street is pretty perfect too.

    Maybe I’d vote for Andrej Zulawski’s Possession, which is fucking nuts. Or a personal deep-cut fave like Night of the Comet. Does Blue Velvet count as horror? Does Ken Russell’s Gothic?

      • 1984@lemmy.today
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        23 hours ago

        Not today. Would be gender switching or male shaming and a dumbed down script designed for viewers on their phones.

        • kandykarter@lemmy.ca
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          23 hours ago

          Oh nooooo a show might have female protagonists instead of being a straight adaptation of a movie that already exists

    • PiraHxCx@lemmy.ml
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      20 hours ago

      Mentioned some of my favorite directors - not much Fulci and Craven though. I’m not that really into horror per-se, I love Cronenberg and Carpenter’s themes and obviously their crazy practical effects and body horror, Argento always has absolutely beautiful colors and soundtrack, but I like more his murder/mystery movies than the supernatural ones. Zulawski goes crazy with surrealism, Ken Russell with the psychedelia, and Lynch has it all.

    • Zombiepirate@lemmy.worldOP
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      1 day ago

      The Fly was the first Cronenberg movie I’ve seen, and it blew me away. I’m definitely going to look at the rest of his movies. I’ll probably watch The Reanimator next, because Jeffrey Combs is a national treasure.

      I’m really intrigued by those Fulci movies, too. International films often have a way different perspective, and that’s always interesting to me.

      • kandykarter@lemmy.ca
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        1 day ago

        Reanimator is a lot of fun (though I personally prefer From Beyond if we’re gonna talk Stuart Gordon stuff).

        Italian horror is my personal favorite, but don’t go in expecting things to make sense. They tend to operate on dream logic.

  • ReluctantMuskrat@lemmy.world
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    1 day ago

    People have already mentioned some great ones but no mention of “An American Werewolf In London”?? Such a great film with some fantastic special effects, great acting, a splash of humor and a touching story.

  • Yaky@slrpnk.net
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    1 day ago

    From this year’s spooky season movies, Happy Birthday to Me (1981) was a hidden gem. While it seems like a typical slasher, the ending was quite unexpected.

    Rotten Tomatoes ratings are really low though, so probably not everyone’s cup of tea.