I agree it’s good information to have and I do include it in my posts to this community when I have the information. The problem is that it’s not always possible to put a date to a work.
I’ve managed to track down a picture of Reefer Girl and her two female room mates in French Alley.
Well, I’m guessing light pollution wasn’t a problem in 19th century Poland. That was just what you saw when you looked up on a clear night.
There’s a slightly naughtier ‘cover version’ of this by Sylvie Jones.
Don’t kink shame.
There were actually two ‘Wigtown Martyrs’, Margaret Wilson (18) and Margaret McLachlan (63). I guess Millais picked the young pretty one.
I did wonder whether this post needed a NSFW tag.
Oops.
Yes, I love how it invites you to walk through that doorway into the sunlit garden.
I can’t resist pointing out this slightly naughty homage by Sylvie Jones.
Yes, like most people I associated him with his wonderful art nouveau posters and only discovered his historical work quite recently.
If you like surrealism it’s worth checking out this site. The site is a bit crude and the images mostly low-res, but there is loads of interesting stuff there.
They are one of my favourite birds. I watched a small flock of them descend on the garden bird feeders earlier this morning.
Artists’ muses often seem to have at least one titty hanging out. I assume they can only afford really shoddy clothing.
I hadn’t really picked up on who the main character was. Now I can see the model’s eyes are directed at her.
Well, I’m posting from lemmyNSFW and it flags everything NSFW by default. And I’m lazy.
I don’t see this as a celebration of the glorious revolution, it’s a bit more nuanced than that. There’s an obvious nod to the October Revolution, but there is also the inclusion of the Marshall amplifier and electric guitar; potent symbols of western culture. The mood seems deliberately ambiguous. Is she nostalgic for the past or is the calendar an unpleasant reminder of how things were?
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