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Cake day: July 17th, 2023

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  • Just restating what Chapman says is not a correction? Perhaps I wouldn’t come out swinging like this so hard except that perhaps nothing makes me more angry than being told I just don’t understand something blindingly straightforward, and perhaps if I did I would agree with you. Do you think other people just aren’t as smart as you are? Do you talk like that to people in daily life? Who the hell do you think you are?

    Chapman’s fanatics are (eg.) the people who organize the independent film fest and talk endlessly about independent films but don’t direct or act in their own films, or the people who reply to posts but don’t initiate their own threads.

    Yes, I am not confused, and this is precisely what makes his terminology useless. The people who reply to posts and talk endlessly about stuff are frequently deadbeats, but this is not captured by his pseudo-technical terminology. Chapman has defined “fanatics” self-servingly as the people who do the productive work and defined them against “mops” as people who are less interested and do not do productive work: it is a false and a very stupid distinction for the reasons I have outlined

    Personally I don’t think I have met anyone fitting this description: “They love to be a part of something but they’re too insecure to let other people love it too, and they lose their ability to meaningfully contribute because they’re so busy policing the boundaries of the space.”

    Yes, this is another problem with the essay. Since it only serves to flatter the prejudices of a sympathetic reader, the dynamics it claims to point out will only be recognisable to somebody willing to indulge those prejudices, whereas to the unsympathetic reader it just doesn’t have anything to say at all.*

    *slight correction: it doesn’t have anything interesting to say at all. It does perform adequate speech-acts viz. draws the boundaries of what Chapman considers acceptable participation in a scene according to his “judgement” about who is and isn’t a fruitful and productive member of his little society. But that makes it an effective piece of political propaganda, a worthy role but not the one he would like to intend for it.


  • I have been sufficiently tempted to point out one of the ways in which this is horribly stupid viz. it is written from the perspective of somebody who is a liability to whatever scene he claims to have been a part of

    Fanatics want to share their obsession, and mops initially validate it for them too. However, as mop numbers grow, they become a headache. Fanatics do all the organizational work, initially just on behalf of geeks: out of generosity, and to enjoy a geeky subsociety. They put on events, build websites, tape up publicity fliers, and deal with accountants. Mops just passively soak up the good stuff.4 You may even have to push them around the floor; they have to be led to the drink. At best you can charge them admission or a subscription fee, but they’ll inevitably argue that this is wrong because capitalism is evil, and also because they forgot their wallet.

    Everybody with half a brain knows that actually fanatics are frequently fucking deadbeats, who are therefore incapable of materially contributing beyond their physical presence. That’s fine, but it doesn’t lend itself to the financial stability of the collective enterprise, especially if they expect to get free stuff out of the bargain, which they frequently do. Of course, this isn’t the case for everybody, but that just proves the point that this is unbelievably fucking stupid

    Mops relate to each other in “normal” ways, like people do on TV, which the fanatics find repellent. During intermission, geeks want to talk about the New Thing, but mops blather about sportsball and celebrities. Also, the mops also seem increasingly entitled, treating the fanatics as service workers.

    “Fanatics” like this treat whatever community has sprung up around its artists as a vending machine for personal connection and social clout. They love to be a part of something but they’re too insecure to let other people love it too, and they lose their ability to meaningfully contribute because they’re so busy policing the boundaries of the space. This isn’t a “fanatic” actually, because again, it’s just a(n extreme and highly idealised) type of guy, but again that is proving the point of the stupidity of this enterprise.

    Mops also dilute the culture. The New Thing, although attractive, is more intense and weird and complicated than mops would prefer. Their favorite songs are the ones that are least the New Thing, and more like other, popular things. Some creators oblige with less radical, friendlier, simpler creations.

    cf. Bob Dylan, “Judas”

    Even reading just a paragraph of the article you get the sense that Chapman is an insufferable dork who feels somehow burned about something in his past

    The strangest thing about it is that the complaints are played so much to such an intense stereotype it’s as if Chapman is the only person in his model who actually embodies what would otherwise be a ludicrously idealised and caricatured type, and it turns out to be the horrible deadbeat superfan who ruins everything trying to make it his personal possession


  • Chapman is a fucking moron, and not rationalist curious but deeply embedded in rationalism. “Post-rationalism”, when it was new, was nothing more than a way of being into (at the shallow end) Deeprak Chopra type shit for personal growth on “rational” grounds (“if it works it isn’t stupid” or whatever) without getting kicked out of the clubhouse. It’s harder to see those outlines now because mainline rationalists have effectively adopted that plus far more extreme attitudes in their day to day over the last 5+ years, so post-rationalism looks harder to understand and more interesting than it really is or was.

    Chapman himself was trying to do rationalist existentialism (hence his title, “Meaningness”, the quality of being meaningful, with particular respect to “having meaning in one’s life”).

    Of course he was naive, but he’s also just writing yet another completely oblivious ass-pulled blog pretending to do meaningful sociology with just whatever shit came off the top of his dome. It’s identical to everything else written in this regard within 15 miles of LessWrong and should therefore be ignored except insofar as its laughed out of the room.










  • It’s true though. They’re not nazis. They’re incapable of being fired by any fundamentally political or spiritual ideals, no matter how ultimately black and nihilistic, at all. Even if these people were full-throated card-carrying members of the American Nazi party marching through Times Square with a swastika flag throwing out copies of Der Sturmer from a Panzer tank they wouldn’t be nazis. The fact is that they’re just the purest distillation of 20th-21st century media culture yet: they’re so utterly saturated in media that the only choice they’ve made, the only choice available to them, was whether to lean into the goodie or the baddie vibe, and they plumped for “baddie” because it suited their contrarian aesthetic and then, without even leaving a ripple on the surface, they slipped into the role and inhabited it so thoroughly that it is, literally, indistinguishable from who they are.

    These people are nothing less, and 100% nothing more, than your childish glee at getting to play the villain in an RPG.



  • I want to add William H. Tucker’s posthumous “The Bell Curve in Perspective”, which came out I think right at the end of last year. It’s a short, thorough, assessment both of the history of The Bell Curve book itself and what has happened since.

    Even the first chapter is just mindblowingly terse in brutally unpacking how (a) it was written by racists, (b) for racist ends, © Murray lied and lied afterwards in pretending that ‘only a tiny part of the book was about race’ or whatever






  • It’s from Maps of Meaning, per the caption, so no this is from his original theory of everything.

    Nonetheless, to be perfectly honest, I honestly can’t complain that he put something weird like that in the book as such. What, after all, is actually wrong with it, assuming a certain amount of charity about context relevance? That it’s gross to recount weird sexually charged dreams you had about your grandmother?

    For a psychologist in the tradition of Jung, and therefore to a great extent Freud, such material might actually be quite useful! Amongst the worst things therapy culture - and perhaps the whole ideology of post-Freud psychology/iatry/therapy - does is to rehabilitate prudishness about what it is and is not acceptable to talk about in our psychic lives, when liberation from those oppressive norms is precisely the best achievement of those aspects of Freud which remain uncontroversial (not to mention those which are only controversial for bad reasons).

    You know the whole thing: “we don’t talk about that wanting to have sex with your mother stuff”, well why on Earth not? Amongst the most obvious things in the world is that people are incredibly weird and complex. Why cave in to propriety and ignore it?

    Lots of people have experiences like this, and therefore by definition it’s important to discuss them - non-pathologically - if you want to understand (and improve) people’s psychic life.