What did Brave do to you?

Like JKR not being pro-trans is just her opinion. And as far as I know, she hasn’t gone on a crusade against anyone yet.

using a large public platform to disseminate the same kinds of anti-trans arguments currently being used by bigots to draft legislation putting trans people at risk is not just an opinion. like, it isn’t a crusade, but when there is a crusade going on and you’re saying the same thing the crusaders are saying, its not a good look.

You raise a really good perspective about the relevance of the artist among our culture. Older cultural influences have some significance but not the same as current artists in society. The relevance of problematic Greeks/Romans/Catholics just don’t have the same weight because we know they come from a different time and their art is a reflection of that time. If anything, it’s a sociological study of people from that time - we can still say the same for people today except for the fact that our consumption of their work can effect their estate.

Compared to current artists of today who are problematic - the likes of Roman Polanski, Chris Brown, Kevin Spacey, Johnathon Majors, Roald Dahl, these artists are much more in line with J.K.R. than someone like Picasso (or {insert problematic writer from 1850-1950}, because their works are more immediately relevant to our current culture. I also think the intent of consumption matters based on how it is then talked about - is someone is consuming the media to get an understanding of the cultural feelings at the time, something that highlights aspects of society, or are they trying to live vicariously through this character and thus perpetuating it.

As someone mentioned as well, second-hand is a way to still consume the media without directly supporting the artist. I don’t think consumption of media is inherently supportive of the ideology nor does it have to monetarily support them, though I do understand that there is a high likelihood of sharing thoughts about something leading to others possibly purchasing and supporting them.

What these conversations always come down to me is how effective is blacklisting an artist? As in, does consumption of problematic works inherently perpetuate those problematic ideas or is it able to be discussed while highlighting them? I myself am conflicted here, as one of my favorite movie has 2 problematic actors in it, but Baby Driver is so damn good and having it on my Plex server doesn’t actively support the problematic people (then, nor does it support the good workers). So it comes down to how willing or how able I am to separate the art from the artist, and how I choose to engage with said media when talking about it with others.

Someone mentioned Joss Whedon who is another great (or, awful rather) example where his actions make it harder to consume his media. But Buffy is still and always will be a classic, and The Avengers is still a big moment. Those also happen to have a lot more people than just him working on them. But the same could be said for Roman Polanski, but I am on the side of the user who said his works should effectively be dismissed. The only case for something to that extent would be for film and social studies in an academic setting where all of the knowledge surrounding it becomes part of the conversation - as an example akin to this I think it’s important to be aware of and study American Cinema. Unfortunately by nature American Comedy has deeply rooted racism ranging from creating stereotypes that still are perpetuated today, to poor treatment of actors. And yet it’s essential that we study these else we lack the historical contexts that led to change. I think the same will be said a few decades from now regarding Polanski, where we aren’t studying his work his actions but rather studying the changes in society as a result of them.

We can study without them, but we will miss important contexts that are important dynamics. Without knowing about how trains influenced filmography the impact of travel films like Thelma and Louise are less impactful than they could be. Without knowing about how awful sex scenes in film used to be, the impact of modern sex scenes led by Intimacy Coordinators can seem frivolous. Without knowing the history of blackslpoitation films contemporary ones (like Black Dynamite) made in its image may not have the same weight. They can be viewed and understood without that contextual knowledge, but the impact from viewing the media with the knowledge is very different. Which of course the whole discussion, is exactly what it’s like to consume media with someone problematic - exactly how able, or worthwhile, is separating the art from the artist? Does their intent even matter all that much if how it is consumed is completely antithetical to their position? If someone hateful has a work that everyone consumes and the socially perpetuated message is from love and kindness, does it matter if the artist is problematic? Or does their work become a slap in the face to themselves, so long as the consumers aren’t supportive of the artist but the positive message behind the work - as mentioned this could be as simple as buying the book second hand or pirating it. I don’t remotely have definitive answers to these, but I do think that the discussions surrounding problematic works can be more important than trying to sweep them under the rug in many cases. That of course also isn’t something that’s guaranteed. I’m also not trying to say that there is a definitive answer for any of these, moreso that it almost comes to be a case-by-case basis, per person.

I think it comes down to a mix of the intent of consumption, whether it’s perpetuating or highlighting, as well as the consumers worldview affecting their perspective - like how the movie Idiocracy is received across all demographics. You’d think the conservative mindset would write this movie off, but somehow there is a narrative that fits into their worldview that affects how they perceive and interact with the media.

I’m also not condoning any problematic artists. I grew up with Harry Potter but I haven’t interacted with the IP since the final movie (not the new series), and my interactions since have been through my Plex server, so no direct support. I was interested in the game as a concept and there are people that aren’t her who worked on it, but I’m also neither invested enough in the IP nor interested in supporting her - were I ever to try to play it I would pirate it outright, and I think it would mostly be so that I was able to have a full understanding of the game, its mechanics, seeing the specific problems as they’re presented in game. But that’s me consuming the media with this knowledge in mind, almost inherently creating a dialogue between myself, the property, and society. With that in mind, is my playing that game problematic? Some might still think so, others might think not. I think the same could be said for video games that get called “woke”, such as The Last of Us 2 being poorly received upon release - from an outsiders perspective many critiques were almost entirely comprised of misogyny. Any actual shortcomings of the game were eclipsed by things that just were not an issue, but some consumers decided it was. The reality for that game seems simple; people wanted more Joel and they didn’t get that. Our cultural shortcoming of respecting women have heavily affected any media that represents them, calling them things like Mary Sues or just using woke as a blanket term.