It always feels strange once the orchestra stops playing annd its the composer that bows for the applause.

  • Windex007@lemmy.world
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    15 hours ago

    At the highest levels of proficiency, knowing “when to play” doesn’t rreeaallyy require a conductor.

    An orchestra of professionals mutates into this crazy combined organism. A hive mind, with thousands of signals being generated and consumed among the members. Negotiations all over the place.

    The conductor stands in the front not just because it’s convenient, but because they’re in the best relative position to understand what the audience will ultimately hear. If I’m in percussion, positionally I’m getting a skewed take on the relative dynamics of the piccolos. As a professional, they’d have a good “gut feel”, but thier ears are simply not in the right spot to know for sure. The conductors are.

    The acoustics of a performance space are drastically different when the seats are full of meat, too.

    The conductor is acting as the source of truth and feedback for that hive mind, from a physical position which gives them the best understanding of the complete sound being produced. While professionals CAN do a very passable job of distributing that work, it’s an additional burden and with an imperfect set of inputs. Having one person set the tone and act as that authority frees up capacity on the individuals to do thier best work.