I have to disagree on the NIN soundtrack. I am a big fan of theirs but this was just a complete let down. There were maybe two notable tracks, and even then they were nothing to share with anyone. Trent Reznor has done way better music for movies in the past.
Second, I like this mix that re-frames the soundtrack as an EP:
Init/Shadow Over Me
I Know You Can Feel It
Target Identified/Infiltrator/As Alive As You Need Me to Be
Who Wants to Live Forever?
New Directive
So you got the 4 lyrics songs, introduced by the instrumentals that echo them, and with a 5th instrumental song as the end credits. It’s basically an EP, so you can compare it to the events/violence/witch EPs.
It’s a slight step down. With the previous EPs, I get the feeling Trent and Atticus had new ideas they wanted to explore. For this EP, it sounds like they were hired for a job. (hey nothing wrong with that, but the motivation’s different.)
“Init/Shadow Over Me” is ok, kinda standard. “I Know You Can Feel It” is probably the best of the four, though still just re-hashing older ideas. “Target Identified/Infiltrator/As Alive As You Need Me to Be” is a great song but I associate it too much with that trailer involving the guy from Morbius. “Who Wants to Live Forever?” really should be the best song, BUT by all the gods that woman’s voice is so weak! Is that some kinda post-ironic thing they’re going for that I just don’t get? “New Directive” is just another instrumental, the person who remixed this coulda left it off. Tho I do gotta say I like how the instrumentals reference both Daft Punk ‘s and Wendy Carlos’ soundtracks.
Agreed that only 2 tracks are notable (Infiltrator and Target Identified), because the majority of the soundtrack is cinematic ambient pieces. Which, those are just ok (especially compared to Daft Punk whose ambient tracks were exceptional in addition to the action pieces Derezzed and the End Titles)
I just like ambient music, haha. I do kinda wish there were more bumpin industrial pieces but if that was the entire movie soundtrack it would have gotten old quickly and made the entire movie seem like an overly long music video, I think. Also my mom wouldn’t have liked it as much I bet, lol
I liked it but I totally get why a lot of people were disappointed. Actually my sister agrees with you (“there wasn’t enough NIN!” she said iirc)
I hate to say it, but I agree. It felt mostly like a Trent Reznor soundtrack with a few proper NIN songs added on. It wasn’t bad, but it didn’t live up to my expectations. Oh well, at least it got NIN back together for a tour. I thought I’d never be able to see them live again.
I do think the daft punk 2010 movie was nailed hard. This was more mellow and not memorable, though that is normal for most movies. I think the “pop single” track release promoted by the movie is a decent song, but its also a cheezy marketing stunt for it, and not “real sountrack” or well integrated into the movie.
OTOH, I liked the mixed reality motorcycle game reboot.
I have to disagree on the NIN soundtrack. I am a big fan of theirs but this was just a complete let down. There were maybe two notable tracks, and even then they were nothing to share with anyone. Trent Reznor has done way better music for movies in the past.
First of all, check out [email protected]
Second, I like this mix that re-frames the soundtrack as an EP:
So you got the 4 lyrics songs, introduced by the instrumentals that echo them, and with a 5th instrumental song as the end credits. It’s basically an EP, so you can compare it to the events/violence/witch EPs.
It’s a slight step down. With the previous EPs, I get the feeling Trent and Atticus had new ideas they wanted to explore. For this EP, it sounds like they were hired for a job. (hey nothing wrong with that, but the motivation’s different.)
“Init/Shadow Over Me” is ok, kinda standard. “I Know You Can Feel It” is probably the best of the four, though still just re-hashing older ideas. “Target Identified/Infiltrator/As Alive As You Need Me to Be” is a great song but I associate it too much with that trailer involving the guy from Morbius. “Who Wants to Live Forever?” really should be the best song, BUT by all the gods that woman’s voice is so weak! Is that some kinda post-ironic thing they’re going for that I just don’t get? “New Directive” is just another instrumental, the person who remixed this coulda left it off. Tho I do gotta say I like how the instrumentals reference both Daft Punk ‘s and Wendy Carlos’ soundtracks.
Agreed that only 2 tracks are notable (Infiltrator and Target Identified), because the majority of the soundtrack is cinematic ambient pieces. Which, those are just ok (especially compared to Daft Punk whose ambient tracks were exceptional in addition to the action pieces Derezzed and the End Titles)
I just like ambient music, haha. I do kinda wish there were more bumpin industrial pieces but if that was the entire movie soundtrack it would have gotten old quickly and made the entire movie seem like an overly long music video, I think. Also my mom wouldn’t have liked it as much I bet, lol
I liked it but I totally get why a lot of people were disappointed. Actually my sister agrees with you (“there wasn’t enough NIN!” she said iirc)
I hate to say it, but I agree. It felt mostly like a Trent Reznor soundtrack with a few proper NIN songs added on. It wasn’t bad, but it didn’t live up to my expectations. Oh well, at least it got NIN back together for a tour. I thought I’d never be able to see them live again.
I do think the daft punk 2010 movie was nailed hard. This was more mellow and not memorable, though that is normal for most movies. I think the “pop single” track release promoted by the movie is a decent song, but its also a cheezy marketing stunt for it, and not “real sountrack” or well integrated into the movie.
OTOH, I liked the mixed reality motorcycle game reboot.
He’s an elderly geezer now, not an energetic creative youth.