Checking a revolver to confirm they type of prop ammo is very different than a regular weapon check.
Different shots require different ammo. You may have a shot where the revolver is seen from the business end, so there needs to be a bullet of some kind in the cartridge - so maybe it’s a real bullet with no powder or primer. Or maybe the shot shows an open cylinder, so you need primers but no bullets. Or maybe you need to show the actor loading, so it’s a plastic primer or entirely fake round. Or maybe it’s being fired, so you need a blank…
The mixture of different kinds of prop ammo is how Brandon Lee was killed on set. A bullet came dislodged from a round being used for a previous scene and was still in the barrel when a blank was fired. That effectively made a live round that killed Lee.
So the barrel also needs to be checked for squibs if it’s goong to be loaded with blanks.
It’s not as simple as a regular press-check or opening the cylinder. I carry a gun every day and am a firm believer in gun safety at all times, but props are treated differently because they are different.
As a part of their job, actors will point guns at each other and pull the triggers. The normal firearm safety procedures just don’t work with them.
Checking a revolver to confirm they type of prop ammo is very different than a regular weapon check.
And YOU should learn how to check the gun in YOUR hand, regardless of if it is a Colt SAA or a Jimenez.
Some of that should be handled by the armorer, as in Brandon Lee’s case the armorer pulled the bullet and powder, but reseated the bullet onto the fresh primer. He should have popped the primer and punched it back to normal with a pin punch, then reseat and engrave on the casing “inert” with a dremel. That was 100% his fault.
This one could have been solved simply by basic gun safety that I’d expect from friends who aren’t in the industry as well, that is why I blame both Baldwin and the armorer.
Frankly, all actors who use real guns in movies should be required by SAG to take a basic safety course. They don’t have to go full Keanu, just go to the nearest range and ask any RSO if they’d like a SAG job, teaching people with the brain of a fifth grader some gun safety (had to get in a dig on them lol), should be good enough. Then the armorer should spend an hour familiarizing you with your gun on set before live rounds are even brought on set. Guns are dangerous and we shouldn’t just throw gun safety out the window because some rich guy with a bullshit job thinks it is below him to learn it, they actually need to learn it better than most with the nature of their job sometimes requiring them to break a rule (like sometimes they have to point them at people, which, while that is a no-no it can be done more safely than it currently is, and that frankly shouldn’t be controversial.)
Actors’ job isn’t to be as knowledgeable as a firearm consultant, hence why they hire one. The same way they trust any scene has been safely planned out before hand and the giant boulder is assumed to be fake and not a real rock, and the harnesses that suspend them weren’t set up wrong so they fall and break their neck.
Checking a revolver to confirm they type of prop ammo is very different than a regular weapon check.
Different shots require different ammo. You may have a shot where the revolver is seen from the business end, so there needs to be a bullet of some kind in the cartridge - so maybe it’s a real bullet with no powder or primer. Or maybe the shot shows an open cylinder, so you need primers but no bullets. Or maybe you need to show the actor loading, so it’s a plastic primer or entirely fake round. Or maybe it’s being fired, so you need a blank…
The mixture of different kinds of prop ammo is how Brandon Lee was killed on set. A bullet came dislodged from a round being used for a previous scene and was still in the barrel when a blank was fired. That effectively made a live round that killed Lee.
So the barrel also needs to be checked for squibs if it’s goong to be loaded with blanks.
It’s not as simple as a regular press-check or opening the cylinder. I carry a gun every day and am a firm believer in gun safety at all times, but props are treated differently because they are different.
As a part of their job, actors will point guns at each other and pull the triggers. The normal firearm safety procedures just don’t work with them.
And YOU should learn how to check the gun in YOUR hand, regardless of if it is a Colt SAA or a Jimenez.
Some of that should be handled by the armorer, as in Brandon Lee’s case the armorer pulled the bullet and powder, but reseated the bullet onto the fresh primer. He should have popped the primer and punched it back to normal with a pin punch, then reseat and engrave on the casing “inert” with a dremel. That was 100% his fault.
This one could have been solved simply by basic gun safety that I’d expect from friends who aren’t in the industry as well, that is why I blame both Baldwin and the armorer.
Frankly, all actors who use real guns in movies should be required by SAG to take a basic safety course. They don’t have to go full Keanu, just go to the nearest range and ask any RSO if they’d like a SAG job, teaching people with the brain of a fifth grader some gun safety (had to get in a dig on them lol), should be good enough. Then the armorer should spend an hour familiarizing you with your gun on set before live rounds are even brought on set. Guns are dangerous and we shouldn’t just throw gun safety out the window because some rich guy with a bullshit job thinks it is below him to learn it, they actually need to learn it better than most with the nature of their job sometimes requiring them to break a rule (like sometimes they have to point them at people, which, while that is a no-no it can be done more safely than it currently is, and that frankly shouldn’t be controversial.)
Those business end shots, the powder is replaced with BB’s so yes it is easy to figure out if it is real or not.
The actors should know what is in the firearm before it is handed to them and verify after. Otherwise they shouldn’t be handling said firearm.
Safety is EVERYONES responsibility.
Actors’ job isn’t to be as knowledgeable as a firearm consultant, hence why they hire one. The same way they trust any scene has been safely planned out before hand and the giant boulder is assumed to be fake and not a real rock, and the harnesses that suspend them weren’t set up wrong so they fall and break their neck.