The biggest change happened during TNG’s run, when Roddenberry left the show due to declining health and subsequently passed away in 1991. The writers on the show had long been frustrated by Gene’s insistence that federation officers rise above petty interpersonal conflict. They felt this limitation made it extremely difficult to write compelling drama since all of the main cast had to get along all the time.
The later introduction of characters such as Ensign Ro demonstrate the first fruits (or first cracks) of the move away from Roddenberry’s philosophy. By the time DS9’s cast had been developed, the “no interpersonal conflict” rule had been completely subverted.
The funny thing is, many fans actually prefer DS9 for this. I think it makes the show a lot more relatable. Of course I’d rather live on the Enterprise than on DS9.
It should also be noted that these creative differences aren’t specific to Roddenberry and his new staff, they’re reflective of generational divides that began during the Cold War and really culminated in the 1980s. The exuberant optimism of the counterculture (Roddenberry’s kindred) had long dissipated and the slow demise of the Soviet Union revealed widespread disillusionment with the tenets of communism. In many ways, Star Trek pivoted from communism to full fledged neoliberalism in the 90s.
The biggest change happened during TNG’s run, when Roddenberry left the show due to declining health and subsequently passed away in 1991. The writers on the show had long been frustrated by Gene’s insistence that federation officers rise above petty interpersonal conflict. They felt this limitation made it extremely difficult to write compelling drama since all of the main cast had to get along all the time.
The later introduction of characters such as Ensign Ro demonstrate the first fruits (or first cracks) of the move away from Roddenberry’s philosophy. By the time DS9’s cast had been developed, the “no interpersonal conflict” rule had been completely subverted.
The funny thing is, many fans actually prefer DS9 for this. I think it makes the show a lot more relatable. Of course I’d rather live on the Enterprise than on DS9.
It should also be noted that these creative differences aren’t specific to Roddenberry and his new staff, they’re reflective of generational divides that began during the Cold War and really culminated in the 1980s. The exuberant optimism of the counterculture (Roddenberry’s kindred) had long dissipated and the slow demise of the Soviet Union revealed widespread disillusionment with the tenets of communism. In many ways, Star Trek pivoted from communism to full fledged neoliberalism in the 90s.